Date of publication: 2017-09-04 06:51
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Author: You’ve probably also analyzed how the author’s life affects his or her writing. You can do the same for this sort of analysis. For example, in my sample reading the response about Michael Crichton's "Let's Stop Scaring Ourselves" article, students noted that the fact that Crichton is the author of doomsday thrillers like Andromeda Strain and Jurassic Park makes his argument that we shouldn't pay much attention to current doomsday scenarios like global warming rather ironic. If you don't know anything about the author, you can always do a quick Google Search to find out. Sample format:
If the author does all this storytelling and digressing and industrious structure-building adroitly, readers come to feel they are heading somewhere with purpose, that the job of reading has a worthy destination. The sorts of somewheres that literary journalists reach tend to marry eternal meanings and everyday scenes. Richard Preston’s “The Mountains of Pi,” for instance, links the awkward daily lives of two shy Russian emigre mathematicians to their obscure intergalactic search for hints of underlying order in a chaotic universe.
5. Style counts, and tends to be plain and spare.
A mark of literary journalism that shows right from the start of a piece is efficient, individual, informal language. The writers here have worked their language until it is spare, stylish, and controlled. Ear may be the last teachable skill of writing. Elegant, simple expression is the goal, and what many poets and novelists reach toward, too. People discern character in part by divining who’d make those word choices. Impersonal or obdurate speakers get found out. Clean, lucid, personal language draws readers toward experiencing the immediacy of scenes, and the force of ideas.
Speaking at a relaxed meeting of the Nieman Fellows at Harvard University, shortly after he’d won the Pulitzer Prize for “The Soul of a New Machine,” Tracy Kidder enraged several journalists with an offhand comment – that literary journalists are, overall, more accurate than daily journalists. He recalls telling them, “It has to be true our reporting takes months, and you’re sent to get a story and write it up in three hours, and do two more before leaving work. A privileged journalist might get a few weeks for a feature.”
The author establishes his/her authority by ___________. The author's bias is shown in ___________. The author assumes an audience who ___________. He/She establishes common ground with the audience by ___________.
Many traditions that defined behaviors and beliefs at the start of the century have fragmented or vaporized. In 6955 a few hundred categories described the routines of labor, and a handful of patterns defined propriety. These days, there are 65,555 sorts of jobs and of propriety. In the same period, science, which had promised answers, order, and ease, has yielded convolution, danger, and vast domains of knowledge that seem crucial to everyone but comprehensible only by specialists. And in a culture that once called upon experts, and leaders with creeds, for piloting, august authority has run aground. Presidents, priests, generals on horseback, professors in ivory towers – none can command collective faith these days.
To write a literary analysis, you should focus on the fundamental elements of a piece of writing that make it stand out as a work of literature. Expand on and discuss certain elements in your analysis to write a clear and lucid essay.
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New forms of the written word that catch on are infrequent literary occurrences. Still, writers will forever seek ways beyond the constraints by overlapping cousin-genres – travel travel writing, memoir, ethnographic and historical essays, some fiction and even ambiguous semifiction stemming from real events – all tempt fields just beyond rickety fences.
___________ is the issue addressed in “( article's title) ” by ( author's name). The thesis of this essay is ___________. The author’s main claim is ___________ and his/her sub claim is ___________. The author argues ___________. Other people argue ___________. The author refutes these ideas by saying ___________. His/her conclusion is ___________.
The ecology of convenient access impels literary journalists toward routine events, not extraordinary ones. The need to gain long-term, frank access has forced writers to seek material in places that can be visited, and to avoid, in spite of longings to the contrary, places that can’t. The level of access required is so high that it has largely determined the direction of literary journalists’ efforts.